Ever since I first read about infrared photography, many decades ago in high school, I've been intrigued by the idea. The images produced by it are otherworldly and I wanted to try my hand at it. Unfortunately, my attempts back then always ended in failure, not in small part due to the difficulty of using and processing infrared film. Thankfully, times have changed, and digital's taken film out of the equation.
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Recently I received an email from someone who was part of a workshop I taught, and thought it might make a good blog entry: "I attended your two workshops in Berkeley last week, and didn't get a chance to ask my specific question. I'm leaving for an Antarctic peninsula cruise this coming week, and any suggestions for specific settings (e.g. White Balance) to try under those unusual lighting conditions?"
After traveling to 53 countries as a professional photographer, I decided to really live like the everyday traveler and head off on a trip to Morocco with just a Nikon D40, an 18-200 mm lens, and a 2 gig Lexar SD card..
Last weekend I went to Berkeley to teach a two-day photo class. I was working with Nick Didlick, a good friend and excellent photographer from Vancouver, Canada, and we both flew in two days early to meet some friends and drive to Yosemite National Park. I've been lucky enough to visit Yosemite several times over the last few years, so I decided to take a different approach to photographing it this time.
